Xing Zhou, Yi-Hui Ouyang (2026). Research on the Division and Interconstruction of the Peking Opera Field Along the Central Axis of Beijing During the Qing Dynasty—Based on Pierre Bourdieu’s Field Theory. Histories.DOI
Xing Zhou, Yuhong Ouyang (2023). The Expression of Values, Humanity and Aesthetics: The Appearance of Chinese Films in the New Stage. Journal of Chinese Film Studies.DOI
Xing Zhou (2010). The Cognition of the Exploration into the Development Theory of Chinese Art and Culture——Research on the "Third Pole Culture" Theory.
Xing Zhou (2010). The Background,Motivation,and Development of Chinese Film Achievement in Culture Soft Power.
Xing Zhou (2009). Aesthetic Transmutation from Invariable Simplicity to Complex Diversity:An Analysis of the Aesthetic Evolution of Chinese Movies 1949-2009.
Xing Zhou (2009). The establishment of aesthetic Modernity in China——Guo Moruo's drama and Western Romanticism.
Xing Zhou (2007). Transcending the Puzzle of Existing and Pursuing the Rhythm of Life——on the critical meanings of "the rhythm of life"in the theory of Zong-Baihua.