黄浩

2023

RELATIONAL PRACTICES IN BALI: BALINESE HINDUISM, SUBAK, AND MUSIC

International Journal of Asia-Pacific Studies

DOI

2021

Xiao Youmei: Chinese Musical Patriot or Comprador Germanophile?

Sino-German Encounters and Entanglements

DOI

2021

What Beethoven Meant in China, 1900–1949: Music, Ideology and Power

Musical Entanglements between Germany and East Asia

DOI

2020

What Beethoven Means in the People’s Republic of China

German–East Asian Encounters and Entanglements

DOI

2020

Music in STEAM: Beyond Notes

STEAM

DOI

2019

Nature and the Spirit: Ritual, Environment, and the Subak in Bali

EnviroLab Asia

DOI

2019

Afterthoughts: Nature, Culture, and Shamanism in Inner Mongolia, PRC

EnviroLab Asia

DOI

2019

Nature and the Spirit: Tri Hita Karana, Sacred Artistic Practices, and Musical Ecology in Bali

EnviroLab Asia

DOI

2016

Teaching Piano in China: Building Transcultural and Transhistorical Bridges through Music Education

DOI

2014

黄浩作品选

《艺术教育》

2013

She Sang as She Spoke: Billie Holiday and Aspects of Speech Intonation and Diction

DOI

2012

试论中国古代音乐美学和现代音乐生活的发展

《音乐创作》

2010

蔚科旗舰校音器WST-623问世

《乐器》

2009

论民族器乐创作中“长安乐派”的历史形成

《乐器》

2008

浅谈音乐艺术在美育中的作用

《音乐天地》

2007

The 1992 Turtle Dance (Oekuu Shadeh) of San Juan Pueblo : Lessons with the composer, Peter Garcia

DOI

2006

钢琴演奏音色及其审美想象

《音乐天地》

2004

重视与钢琴弹奏有关的基础知识

《音乐天地》

2004

Speaking with Spirits: The Hmong Ntoo Xeeb New Year Ceremony

2003

Voices from Chinese Rock, Past and Present Tense: Social Commentary and Construction of Identity in Yaogun Yinyue , from Tiananmen to the Present

DOI

2001

Yaogun Yinyue: rethinking mainland Chinese rock ‘n’ roll

Popular Music

DOI

1999

Music in the 20th century

DOI

1997

Music Appreciation Class Broadening Perspectives

DOI