陈后亮

期刊论文

1. Yuanyuan Cui, Houliang Chen (2026). Reimagining the “Redundant Woman”: Beavers, Social Agency, and Affective Expression in George Eliot’s Middlemarch. Women's Studies.DOI
2. Yuanyuan Cui, Houliang Chen (2026). Between sensation and realism: George Eliot, gender, and the French episode in Middlemarch. Orbis Litterarum.DOI
3. Houliang Chen, You Zhang (2026). Earnest Hypocrisy: The Evangelical Reformer in William M. Thackeray’s Vanity Fair. Religions.DOI
4. Houliang Chen (2025). Home Visiting, Domestic Observation, and the Middle-Class Gaze in Charles Dickens's Dombey and Son. Cultural & Social History, Vol. 220, No. 20.DOI
5. 陈后亮，许骞文（2025）. 21世纪以来安东尼·特罗洛普国外研究现状——基于Cite Space的文献计量研究. 《外国语言文学》.
6. 陈后亮，吴丹妮（2025）. 神经叙事、疾病书写与文化隐喻：当代神经小说研究述评. 《外语教学》, Vol. 46, No. 2.下载原文
7. Houliang Chen (2025). “I Can Afford To Despise”: Club Life, Social Interactions, and the Middle-Class Work Ethic in Charles Dickens’s Dombey and Son. Neophilologus: An International Journal of Modern and Mediaeval Language and Literature.DOI
8. Yiyang Ning, Houliang Chen (2025). “To Buy Him a Pair of Gloves”: Glove Etiquette, Fashion Consumption and the Building of Respectable Images in The Newcomes. TEXTILE.DOI
9. Houliang Chen, Yuanyuan Cui (2025). The Ethics of Criticism and the (Re)justification of Literary Studies: Voices from China. ANQ. A Quarterly Journal of Short Articles, Notes, and Reviews.DOI
10. Houliang Chen (2025). "I Always Protest Against Being Referred to the Bees": Bee Analogies in Charles Dickens's Bleak House and Our Mutual Friend. Partial Answers.DOI
11. Houliang Chen, Shuai Gao (2025). “[T]o Dress So as to Call Forth No Remark at All”: Sartorial Representations of Victorian Gentlemanliness in Charles Dickens’s Great Expectations. Fashion Theory.DOI
12. Houliang Chen, Qianwen Xu (2024). Gender politics and Victorian literary representation of the body: a distant reading of the body in Charles Dickens's works. Humanities & Social Sciences Communications, Vol. 11, No. 1.DOI
13. 陈后亮，许骞文（2024）. 21世纪以来查尔斯·狄更斯在中国的研究现状——基于CiteSpace的文献计量研究. 《外国语文研究》.
14. Houliang Chen (2024). Distressing sons, anxious fathers and worries about the empire in Charles Dickens’s Dombey and Son. Neohelicon.DOI
15. Houliang Chen (2024). “I Know Well and Appreciate the Repose and Delight to Be Found in Gardening”: Class, Gender, and “Garden Elements” in Charles Dickens’s Dombey and Son. English Studies.DOI
16. Houliang Chen (2024). Contours of Status and Power: Seats and Sitting Postures in Charles Dickens’s Our Mutual Friend. Anglia. Zeitschrift für englische Philologie.DOI
17. Houliang Chen, Da-Gin Wu (2023). “[E]xpressly Meant to Promote the Formation of the Domestic Virtues”: Domestic Interiors and Household Furnishings in Charles Dickens’s Our Mutual Friend. Home Cultures.DOI
18. Houliang Chen (2023). ‘Common people to talk of Mr. Dombey and his domestic affairs!’: the politics of gossip in Dombey and Son. Textual Practice.DOI
19. Houliang Chen (2023). “To have no work to do [is] strange”: the performance of leisure in Little Dorrit. Nineteenth Century Contexts.DOI
20. 陈后亮（2022）. 理论热的消退与英文系的未来——从杜克大学英文系的一段往事谈起. 《外国文学》.DOI
21. 陈后亮（2022）. “教学转向”与理论的未来——兼及对文学理论教学方法的反思. 《当代外国文学》, Vol. 43, No. 2.下载原文
22. Houliang Chen (2022). “An Index of Gentility”: Representations of Needlework in Dombey and Son. TEXTILE.DOI
23. Houliang Chen (2022). “Men separate from women and domesticity”: empire builders, coolie laborers, and the imperialist economy in Joseph Conrad’s “Typhoon”. Neohelicon.DOI
24. 段丽丽，陈后亮（2021）. 西方传统与"影响的焦虑":论小亨利·路易斯·盖茨喻指理论中的"重命名"策略. 《外语教学》, Vol. 42, No. 1.下载原文
25. 陈后亮（2021）. 理论缘何衰退?——对理论发生的物质条件及制度因素的考察. 《外国文学研究》, Vol. 43, No. 5.下载原文
26. 陈后亮，马可（2020）. 白人性研究:族裔文学研究新视角. 《当代外国文学》, Vol. 41, No. 1.下载原文
27. Houliang Chen (2018). Seeking an Enlightened perception of being: Charles Johnson’s adoption of Chinese culture in “China”. ANQ A Quarterly Journal of Short Articles Notes and Reviews.DOI
28. 陈后亮（2012）. 后现代主义的制度化与后现代研究新趋势——琳达·哈琴访谈录. 《外国文学研究》, Vol. 34, No. 5.下载原文
29. 陈后亮（2012）. 真实再现与审美假象——比较卢卡契与巴尔特的现实主义文学观. 《武汉科技大学学报：社会科学版》, Vol. 14, No. 2.下载原文
30. 陈后亮（2011）. 元小说中的自我再现艺术——兼论琳达·哈琴的自恋叙事理论. 《国外文学》, No. 3.下载原文
31. 陈后亮（2011）. 帕特里夏·沃芙的元小说理论评介. 《中南大学学报(社会科学版)》, Vol. 17, No. 4.下载原文
32. 陈后亮（2011）. 琳达·哈琴论后现代艺术的政治性——兼与新马克思主义论点作对比. 《湖北大学学报：哲学社会科学版》, Vol. 38, No. 3.下载原文
33. 陈后亮（2010）. 再现的政治：历史、现实与虚构——论历史书写元小说的理论特征及内涵. 《中南大学学报(社会科学版)》, Vol. 16, No. 6.下载原文
34. 陈后亮（2010）. 后现代视野下的戏仿研究——兼谈琳达·哈琴的后现代戏仿观. 《武汉科技大学学报：社会科学版》, Vol. 12, No. 4.下载原文
35. 陈后亮（2010）. 历史书写元小说：再现事实的政治学、历史观念的问题学. 《国外文学》, No. 4.下载原文
36. 陈后亮（2010）. 论哈琴后现代主义诗学的理论特征. 《四川师范大学学报(社会科学版)》, Vol. 37, No. 3.下载原文
37. 陈后亮（2010）. 现代主义艺术以及反再现运动——西方现代文艺的一种考察. 《理论学刊》, No. 12.下载原文
38. 陈后亮（2010）. 论西方现代艺术中的审丑转向问题. 《广州大学学报(社会科学版)》, Vol. 9, No. 12.下载原文
39. 陈后亮（2010）. 怪诞也是一种美吗？——西方怪诞美学研究评述. 《重庆邮电大学学报：社会科学版》, No. 5.下载原文